For many years, the most prominent critic of the Canadian online music
market has been the industry itself. The Canadian Recording
Industry Association (now known as Music Canada) has consistently
argued that few would want to invest in Canada due to the state of our
copyright laws. For example, in 2009, CRIA President Graham
Henderson published an op-ed
that said our trading partners were racing ahead of Canada, which he
argued was a product of Canadian copyright law. A year later, Universal
Music Canada appeared
before the Standing Committee on Canadian Heritage and told MPs the
legal uncertainty meant that the investment was going to other
countries.
This week, the industry seemingly decided to change its tune. It
released a new
guide on licensing digital music in Canada that
identifies the key organizations that license music in Canada,
including the record labels and several copyright collectives. The
report highlights how there are services in Canada in all the major
segments, including digital downloads, non-interactive streaming,
on-demand streaming, and music videos.
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Several excellent pieces assessing the recent battle over SOPA have
been posted over the past few days. They include:
- Larry Downes, has a great piece titled Who
Really Stopped SOPA, and Why?
- Yochai
Benkler on Seven Lessons from SOPA/PIPA/Megauplaod and Four
Proposals on Where We Go From Here
- The Hollywood Reporter provides
the industry perspective on how it lost the legislative fight.
- Art Brodsky of Public Knowledge illustrates
why defeating SOPA is not cause to declare victory just yet.
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Jesse Brown blogs
on the push to introduce SOPA style rules into Canadian copyright
reform.
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Canada's offer to the Europeans in the Canada-EU Trade Agreement
negotiations on several key areas leaked yesterday. The
documents reveal that Canada wants both telecom foreign ownership and
cultural protections kept out the agreement.
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