Today is music day at the Bill C-32 committee as there will be two
panels focused on music copyright issues. The first panel is the
Balanced Copyright For Canada panel, comprised of CRIA (which backs the
site as part of its strategy to "radicalize and activate" its base
through social media as Graham Henderson described
it earlier this month) and four of the site's board members. The second
panel includes SOCAN, ADISQ, GMMQ, and the SAC.
The BCFC panel should raise some interesting questions about what CRIA
says publicly at committee or does in the courts and what it says
behind closed doors. I recently obtained a document
under the Access to Information Act summarizing
comments made by Henderson to Industry Canada officials in a September
2010 meeting, several months after Bill C-32 was introduced. The
meeting was a Chamber of Commerce event, so CRIA did not report it in
its lobbying disclosures. The
summary includes two notable positions that seem to contradict public
action or words and suggest a split between CRIA and other creator
groups, including the Canadian Independent Music Association.
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The National Post posts a letter
from Pandora's Tim Westergren, in which he notes that: "I think it’s
very important that Canadian listeners understand that Pandora is eager
to launch in Canada, but the rates that have been proposed by the
Canadian music rights societies are simply uneconomic."
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Statscan has released its latest data
on the state of the recording industry in Canada. The data shows a
slight decline in revenues in 2009, but that expenses dropped further,
resulting in an increase in operating profit margin to 16.3
percent.
Music publishers experienced increases across the board - more revenue,
expenses, and higher profit margin.
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