Post Tagged with: "music canada"

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The Battle Over Tariff 8, Part 2: The Recording Industry’s Surprising Opposition to Songwriter, Composer and Music Publisher Streaming Royalties

Yesterday I posted on the battle over Tariff 8, the Copyright Board of Canada’s new tariff for digital music streaming services that the media has suggested could open the door to popular foreign services migrating to Canada. Despite the initial excitement, the Canadian recording industry, led by Music Canada (formerly the Canadian Recording Industry Association) has taken aim at the decision, which its President Graham Henderson argues:

will further imperil artists’ livelihoods, and threatens to rob them of the fruits of their labour in the new digital marketplace. And it will further undermine the business environment, undercutting the ability of labels and other music companies to make future investments in Canadian talent.

As noted in the post, Re:Sound, the collective responsible for the tariff, has filed for judicial review of the decision and Music Canada is urging its supporters to “like” its Facebook protest page, which it says will help win the fight.

There are two things that make the campaign against the decision particularly striking: the industry’s failure to mention to that Tariff 8 is only one of several payments made for music streaming and its opposition to those other payments.

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July 30, 2014 1 comment News

Is the Road to Music Success Paved with Spam? Canada’s Music Lobby Apparently Thinks So

The business opposition to Canada’s anti-spam legislation has added an unlikely supporter: the Canadian Recording Industry Association, now known as Music Canada. The organization has launched an advocacy campaign against the law, claiming that it “will particularly hurt indie labels, start-ups, and bands struggling to build a base and a career.” Music Canada is urging people to tweet at Canadian Heritage Minister James Moore to ask him to help bands who it says will suffer from anti-spam legislation.

Yet Music Canada’s specific examples mislead its members about the impact of the legislation. The organization offers seven examples posted below in italics (my comments immediately follow):

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February 21, 2013 5 comments News

From Deadwood to Opportunity: CRIA Changes Its Tune on the Canadian Online Music Market

For many years, the most prominent critic of the Canadian online music market has been the industry itself. The Canadian Recording Industry Association (now known as Music Canada) has consistently argued that few would want to invest in Canada due to the state of our copyright laws. For example, in 2009, CRIA President Graham Henderson published an op-ed that said our trading partners were racing ahead of Canada, which he argued was a product of Canadian copyright law. A year later, Universal Music Canada appeared before the Standing Committee on Canadian Heritage and told MPs the legal uncertainty meant that the investment was going to other countries.

This week, the industry seemingly decided to change its tune. It released a new guide on licensing digital music in Canada that identifies the key organizations that license music in Canada, including the record labels and several copyright collectives. The report highlights how there are services in Canada in all the major segments, including digital downloads, non-interactive streaming, on-demand streaming, and music videos.

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January 26, 2012 15 comments News

CRIA Re-Brands Itself: Now MusicCanada.com

The Canadian Recording Industry Association has changed its name to Music Canada. Howard Knopf provides his view and context for the organization.

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July 11, 2011 3 comments Must Reads