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Google by Carlos Luna (CC BY 2.0) https://flic.kr/p/5moCVF

B.C. Court of Appeal Upholds Global Deletion Order Against Google

The B.C. Court of Appeal has released its decision in Equustek Solutions Inc. v. Jack, a closely watched case involving a court order requiring Google to remove websites from its global index. As I noted in a post on the lower court decision, rather than ordering the company to remove certain links from the search results available through Google.ca, the order intentionally targets the entire database, requiring the company to ensure that no one, anywhere in the world, can see the search results. That post notes:

The implications are enormous since if a Canadian court has the power to limit access to information for the globe, presumably other courts would as well. While the court does not grapple with this possibility, what happens if a Russian court orders Google to remove gay and lesbian sites from its database? Or if Iran orders it remove Israeli sites from the database? The possibilities are endless since local rules of freedom of expression often differ from country to country.

The B.C. Court of Appeal decision addresses two key jurisdiction questions: first, whether the court can assert jurisdiction over Google; and second, whether the court order can extend beyond Canada.

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June 12, 2015 26 comments News
Project 365:27 Movie Addiction by Jenn Vargas (CC BY-NC-ND 2.0) https://flic.kr/p/4asx82

Liberals and NDP Call for Disclosure of Online Video Provider Revenues and Subscriber Data

The Standing Committee on Canadian Heritage concluded a study on the Canadian film industry this week, releasing a report that lists 11 recommendations that generally call for continued industry support. The NDP and Liberals both issued supplementary opinions in which they called for requirements that online video providers (such as Netflix) disclose revenues, Cancon availability, and subscriber numbers to Canadian officials. The NDP recommendation:

the NDP fully supports the recommendation made by Carolle Brabant of Telefilm Canada, who argued that it is vital for over-the-top services to be able to do what traditional platforms and media do, namely, provide government authorities with detailed information about their services, such as consumers’ habits, the Canadian films available, the revenues generated and the costs associated with such services.

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June 11, 2015 26 comments News
Twin Peaks, Plate 2 by Thomas Hawk (CC BY-NC 2.0) https://flic.kr/p/61x4pj

Netflix vs. CraveTV: More Than 90% of CraveTV Titles Are Not Available On Netflix U.S. or Canada

Bell’s recent characterization of Canadians using virtual private networks to access U.S. Netflix as thieves has attracted considerable attention. Yesterday, I posted on why accessing U.S. Netflix is not theft, noting that a minority of Canadian Netflix subscribers use VPNs and arguing that the frustration seems rooted in business concerns rather than legal ones. The post added that Netflix and CraveTV (Bell’s online video service) have little overlap in content. Working with Kavi Sivasothy, one of my research students, we took a closer look at the libraries of Netflix U.S., Netflix Canada, and CraveTV. We relied on AllFlicks.net for the Netflix data and CraveTV’s own A to Z page for its data.

Based on that information, how many titles does CraveTV offer that overlap with Netflix U.S. and are not available on Netflix Canada? Not many. In fact, the data suggests that there are some CraveTV titles that are not available on Netflix U.S., but are available on Netflix Canada. Overall, more than 90 percent of CraveTV’s titles are not available on either Netflix U.S. or Netflix Canada. [UPDATE: Thanks to a reader for pointing out a few omissions from the chart. The error was due to different spelling in the Netflix and CraveTV lists. The numbers have been updated].

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June 9, 2015 32 comments News
Day 200 - Why am I still working? by TiggerT (CC BY-NC-ND 2.0) https://flic.kr/p/8pxqTY

Sorry Bell, Accessing U.S. Netflix is Not Theft

Bell Media president Mary Ann Turcke sparked an uproar last week when she told a telecom conference that Canadians who use virtual private networks (VPNs) to access the U.S. version of Netflix are stealing. Turcke is not the first Canadian broadcast executive to raise the issue – her predecessor Kevin Crull and Rogers executive David Purdy expressed similar frustration with VPN use earlier this year – but her characterization of paying customers as thieves was bound to garner attention.

My weekly technology law column (Toronto Star version, homepage version) argues that Turcke’s comments provide evidence of the mounting frustration among Canadian broadcasters over Netflix’s remarkable popularity in Canada. Netflix launched in Canada less than five years ago, yet reports indicate that it now counts 40 per cent of English-speaking Canadians as subscribers. By contrast, Bell started its Mobile TV service within weeks of the Netflix launch, but today has less than half the number of subscribers.

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June 8, 2015 54 comments Columns
Let's sit this one out by spDuchamp (CC BY 2.0) https://flic.kr/p/58upK9

Canadian Copyright Extension Set To Pass Committee As Recording Industry Lobbyist The Only Copyright Witness

The government’s decision to extend the term of copyright for sound recordings to 70 years appears set to pass through the Standing Committee on Finance with practically no debate or analysis. The committee will conduct its clause-by-clause review later today and there is no reason to believe that any changes will be made to the copyright provisions. The committee has conducted extremely limited hearings with only one witness invited to discuss the copyright extension: Graham Henderson, the President of Music Canada (formerly the Canadian Recording Industry Association).

Given the previously released personal letter from Prime Minister Stephen Harper to Henderson on the day of the budget confirming the copyright extension, along with the extensive lobbying on the issue by his organization, it comes as little surprise to find that Henderson was the sole witness invited to appear on the issue as the entire policy change has been driven by record industry lobbying. Yet as Henderson invoked Paul Anka – an accomplished songwriter who undoubtedly generates more revenue from his works that will remain under copyright for many more decades than from sound recordings – the committee heard only press release style comments on the benefits of the change with background documents that cited no specific studies nor hard data about the impact of the reforms.

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June 4, 2015 2 comments News