The Canadian Music Creators Coalition has just announced its first live event with a press conference scheduled for the Horseshoe in Toronto on Monday morning. The press release suggests that many more musicians have joined the coalition and that they're interested in meeting with the relevant Ministers. With considerable press […]
News
The OECD on DRM Disclosures
The OECD has released a new report on DRM disclosure concerns. The report highlights consumer issues involving copy-controls and other DRM systems.
A New Voice
The Canadian music market has experienced some dramatic developments in recent months, most notably Nettwerk's decision to speak out against file sharing lawsuits (with financial backing of a U.S. defendant in one case), the CRIA/Pollara study, and the recent departure of six leading Canadian independent labels from CRIA. While those […]
Vaver on Copyright
A must read from Oxford professor David Vaver on copyright's rights and responsibilities.
Copyright Law and the Law
This week Slaw is hosting a theme week on copyright and asked me to kick things off with a guest post. I've cross-posted below but head on over to the site and join in the discussion.
While the timing of a new Canadian copyright reform bill remains a mystery, there is little doubt that lawyers will play an important role whenever the successor to Bill C-60 is unveiled. Whether as advocates, lobbyists, counsel, or independent experts, copyright reform invariably unleashes a torrent of conferences, workshops, papers, blog postings, and opinion pieces prominently featuring members of the legal profession.
Often missing from the process, however, is discussion about the impact of copyright law on the law. The bar's lack of participation in assessing copyright law's impact on the legal profession is unfortunate, since the legal perspective would add an important dimension to the debate. Indeed, it is no coincidence that arguably the most important Supreme Court of Canada copyright law in recent memory – CCH Canadian v. Law Society of Upper Canada – struck directly at the intersection between copyright and the law.
If the legal profession were to become engaged in the copyright reform process with itself as the client, what issues might it address? I'd like to cite four as a starting point and encourage Slawyers to add to the list. My four include: