Bill C-11 is scheduled for third reading at the Senate today, paving the way for the bill’s passage and royal assent tomorrow. I posted my thoughts on the public’s impact on the substance of the bill earlier this month.
Latest Posts
UNESCO’s 2012 Paris OER Declaration
UNESCO held the World Open Educational Resources Congress in Paris last week with delegates releasing a declaration in support of OERs and open licensing frameworks.
Maritime Band Facing False Takedown Notices From Universal Music
The CBC reports that the Maritime band In-Flight Safety has faced multiple false YouTube takedowns by major record label Universal Music. The band has no connection to Universal Music Group, yet the label has ordered the takedown of five of the band’s songs.
Australian Parliamentary Committee Warns Against ACTA Ratification (For Now)
The most troubling aspect throughout the development of ACTA has been the opaque nature of the process. Whilst DFAT has stated that a certain level of confidentiality is required for trade negotiations, and while there is ground to enable a certain degree of secrecy where complex issues warrant negotiations in confidence, there is no valid rationale for the level of secrecy that DFAT has maintained for what is essentially a copyright treaty.
Brian Brett Speaks Out: An Open Letter on Access Copyright and the Canadian Copyright Emergency
1. After its expenses (which are high – spending approximately $10 million to collect $23.5 million in distributable income), there is $23.5 million in money for copyright distribution. Over $6 million dollars go to foreign copyright organizations. Very little, if anything, is paid back for usage of Canadian copyright material by these organizations.
2. Access Copyright only acquires this $23.5 million by claiming to represent creators and publishers, and that paying them means supporting creators. Access Copyright then pays more than $13 million to publishers. It only pays $4.2 million to actual creators. Their remaining income, is supposed to be distributed by the publishers to their authors, according to how the publishers read their contracts. There is no evidence of this payment occurring since Access Copyright refuses to allow an independent auditing of this income. Effectively, this money has been ‘disappeared.’
3. Access Copyright refuses to distribute, through its “Payback” program, to creators, income from works older than twenty years, yet it continues to collect that income in their name.