Last week I posted on an ACTRA document that identified consensus positions on C-32 among many creator groups. I have received a request to remove the link to the ACTRA document on the grounds that it was posted prematurely as it turns out there is not yet consensus among all […]
Fair Dealing by Giulia Forsythe (CC BY-NC-SA 2.0) https://flic.kr/p/dRkXwP
Copyright
The Latest on Access Copyright: Time to Decline the Coverage
The latest developments further point to growing sentiment on Canadian campuses that it is time for post-secondary education to decline the coverage by walking away from Access Copyright. Since this statement is bound to be mischaracterized as advocating not paying for the rights to use works, let me repeat what I consistently stated this summer. The decision to walk away is not an effort to avoid paying appropriate rights fees. Rather, it is based on the recognition that a collective licence is not the only way for a university to appropriately compensate for use.
Against Bill C-32: Creator Groups Stake Out Strong Anti-Copyright Bill Position
Update 11/1: I have received a request to remove the link to the ACTRA document on the grounds that it was posted prematurely. I have been advised that there is not yet consensus among all groups listed in the document on the various C-32 issues.
When Canadian Heritage Minister James Moore told an IP conference last June that only two groups of radical extremists were opposed to Bill C-32, most assumed that he had user groups in mind. Yet as various groups begin to publicly make their positions known, few have been as critical as a creator coalition that includes ACTRA, a writers’ coalition, visual arts coalition, and Quebec artists groups. In a backgrounder on the bill, those groups oppose nearly all the major reform elements of Bill C-32, with the notable exception of digital locks (on which they remain silent).
Just how broad is the opposition? The position paper stakes out the following positions:
The Art of Selling Chocolate: Remarks on Copyright’s Domain
IP Osgoode posts on University of Toronto law professor Abraham Drassinower’s contribution to From “Radical Extremism” to “Balanced Copyright”: Canadian Copyright and the Digital Agenda his article The Art of Selling Chocolate: Remarks on Copyright’s Domain. The article features an exhaustive analysis of Justice Michel Bastrache’s opinion in the Euro-Excellence […]
Wire Report on Radical Extremism to Balanced Copyright Book
The Wire Report features a story, including a question and answer transcript of an interview with me, on From “Radical Extremism” to “Balanced Copyright”: Canadian Copyright and the Digital Agenda.
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