Blame the Public
2 Comments
Recent Posts
The Law Bytes Podcast, Episode 278: Ben Waldman on Gander Social and the Challenges of Building a Sovereign Social Network 
Canada’s Campus Antisemitism Crisis: National Survey Finds Antisemitism Nearly Everywhere and University Responses Nowhere 
Why the Answers to Hateful Content Online are Hiding in the Platforms’ Own Rules 
From CCH to ChatGPT: How Canadian Copyright Law Played the Key Role in Deciding a Leading AI Training Data Case in India 
Starting Over: Court Filing Confirms the CRTC’s Streamer Contribution Decisions Are Dead With a Full Online Streaming Act Reset to Come
This is one of the best articles I have read in quite a while. It is from someone who actually works (or has previously) in the media industry and has had the ear of artists. It talks about the kinds of services and relationships that artists desire, and they are not the ones being offered by the CRIA. Mr. Henderson would do well do read this article, if he could prevent his eyeballs catching fire in the process.
I dislike that the article makes it sound like CRIA, SOCAN and Re:Sound are some sort of regulators keeping new music services from entering the country. Are Canadian regulators even playing a part in this issue?