The Vancouver Sun reports on new SOCAN demands that buskers in the Vancouver transit system pay performance royalties that could run up to $1500 per year.
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Hennessey on Globalive and Cabinet Review
Telus executive Michael Hennessey blogs on the many questions involving Globalive and a cabinet review.
Canadian Recording Industry Faces $6 Billion Copyright Infringement Lawsuit
Chet Baker was a leading jazz musician in the 1950s, playing trumpet and providing vocals. Baker died in 1988, yet he is about to add a new claim to fame as the lead plaintiff in possibly the largest copyright infringement case in Canadian history. His estate, which still owns the copyright in more than 50 of his works, is part of a massive class-action lawsuit that has been underway for the past year.
As my weekly technology law column (Toronto Star version, homepage version) notes, the infringer has effectively already admitted owing at least $50 million and the full claim could exceed $6 billion. If the dollars don’t shock, the target of the lawsuit undoubtedly will: The defendants in the case are Warner Music Canada, Sony BMG Music Canada, EMI Music Canada, and Universal Music Canada, the four primary members of the Canadian Recording Industry Association.
The CRIA members were hit with the lawsuit [PDF] in October 2008, after artists decided to turn to the courts following decades of frustration with the rampant infringement (I am adviser to the Canadian Internet Policy and Public Interest Clinic, which is co-counsel, but have had no involvement in the case). The claims arise from a longstanding practice of the recording industry in Canada, described in the lawsuit as "exploit now, pay later if at all." It involves the use of works that are often included in compilation CDs (ie. the top dance tracks of 2009) or live recordings. The record labels create, press, distribute, and sell the CDs, but do not obtain the necessary copyright licences.
Instead, the names of the songs on the CDs are placed on a "pending list", which signifies that approval and payment is pending. The pending list dates back to the late 1980s, when Canada changed its copyright law by replacing a compulsory licence with the need for specific authorization for each use. It is perhaps better characterized as a copyright infringement admission list, however, since for each use of the work, the record label openly admits that it has not obtained copyright permission and not paid any royalty or fee.
SOCAN’s Secret Copyright Submission Posted Online
The government has now completed posting all the submissions it received during the copyright consultation (I'll be posting a final summary shortly). Interestingly, the final submission to be posted was from SOCAN, but it came with some controversy. Sources say that SOCAN requested that its submission not be posted online. The terms of the consultation clearly indicated that all submissions would be posted, so it is difficult to identify the grounds for non-disclosure. Ultimately, the government posted access to the submission, though not the submission itself. This means that anyone can obtain a PDF copy of the submission via email, but it will not be searchable like every other submission. Note that this also raises privacy concerns as interested Canadians are required to provide personal information in order to obtain a copy of the SOCAN document, creating a list of everyone who has requested a copy.
USTR Ambassador Kirk On ACTA: People Would Walk if ACTA Public
KEI's Jamie Love recently had the opportunity to ask USTR Ambassador Ron Kirk about the lack of transparency associated with ACTA. Kirk responded implausibly that people might walk away from the negotiations if the text was made public.