With Justice Minister Peter McKay insistent that the government will not be splitting Bill C-13 into the lawful access and cyber-bullying components, the Canadian Bar Association heads to Parliament hill today to appear before the Justice Committee to discuss the bill. The CBA’s submission features 19 recommendations, including the need […]
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In Defence of the Government Tracking Social Media Activity
For most of the past decade, many people concerned with digital rights have used the Internet and social media to raise awareness in the hope that the government might pay closer attention to their views. The Canadian experience has provided more than its fair share of success stories from copyright reform to usage based billing to the Vic Toews lawful access bill. Yet in recent weeks, there has been mounting criticism about the government’s tracking of social media. This post provides a partial defence of the government, arguing that it should be tracking social media activity provided it does so for policy-making purposes.
The controversy started with news that the Privacy Commissioner of Canada has written to the government to express concern that an increasing number of government institutions are collecting publicly available personal information from social media sites such as Facebook and Twitter. The initial report generated considerable media attention with claims that the activity may violate the Privacy Act (or at least the spirit of the legislation).
Last week, Treasury Board President Tony Clement told Jesse Brown that the collection was largely in aggregate form to track public sentiment and that a full review of current practices would be undertaken. However, a later report demonstrated that government officials tracking Bill C-30 (the earlier lawful access bill) did identify specific Twitter users and their tweets (many internal documents I’ve obtained under Access to Information suggest that the Public Safety officials have been exceptionally defensive about lawful access and often seem to drift away from a balanced position).
Canada Ratifies WIPO Internet Treaties
Canada has formally ratified the WIPO Copyright Treaty and the WIPO Performances and Phonograms Treaty. The ratification was a key part of the copyright reform process, leading to contentious debate over the Canadian approach to providing legal protection for digital locks. The treaties will enter into force on August 13, […]
From Toews to Todd: The Unravelling of the Government’s Lawful Access Sales Strategy
As criticism of Bill C-13 mounts, the government’s sales strategy for its latest lawful access bill is starting to unravel. Many will recall the immediate, visceral opposition to Bill C-30, the last lawful access bill that started with then-Public Safety Minister Vic Toews declaring the day before introduction that Canadians could either stand with the government or with the child pornographers. The bill never recovered as Toews’ divisive remarks placed the spotlight on the warrantless disclosure provisions and the lack of privacy balance. Within ten days it was on placed on hiatus and formally killed a year later.
While the government has removed some of the most contentious elements from Bill C-30, many privacy concerns remain (immunity for voluntary disclosure, metadata). Indeed, it appears that its primary takeaway from the last legislative failure – an incredibly rare moment in the life of a majority government – was that it was a botched sales job. So despite a promise not to bring back lawful access legislation, it did so months later, this time armed with a new marketing strategy. Bill C-13 was framed as a cyber-bullying bill and its primary sales people were presumably supposed to be the victims of cyber-bullying and their parents.
The turning point on Bill C-13 came ten days ago when they appeared before the Justice Committee studying the bill. Carol Todd, the mother of Amanda, led off and courageously insisted that the government stop using her child’s name to undermine privacy:
The Copyright Board of Canada Music Streaming Decision: The Good, the Bad, and the Ugly
The Copyright Board of Canada issued its long-awaited music streaming decision late last week, setting royalties to be paid by Internet music streaming services such as Pandora for non-interactive and semi-interactive streaming for the years 2009 to 2012. This covers passive Internet radio services and services that allow users to influence what they listen to. Given that Pandora left the Canadian market over high tariff rates, the outcome of the decision was destined to be a key determinant over whether many of the missing Internet music streaming services enter the Canadian market.
For fans of Pandora or similar services, the decision brings good news. The board largely rejected the arguments of Re:Sound, the collective responsible for the tariff and settled on rates close to what the Internet services were seeking. While the collective argued for rates similar to those found in the U.S., the Board ruled that the U.S. was not a suitable comparison.
Moreover, it rejected arguments that this form of music streaming cannibalizes music sales, concluding that exposure to music through non-interactive and semi-interactive streaming may increase sales: