Privacy Commissioner of Canada Jennifer Stoddart this morning set out her office’s goals for PIPEDA reform. The last attempt to reform the private sector privacy law stalled in the House of Commons with Bill C-12 still technically alive (having been sitting at second reading for months) but destined to die […]
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The Copyright Pentalogy: Copyright Collective Management
This week I wrote about the need for reform of the Copyright Board of Canada. Copyright collective management is addressed in two chapters of The Copyright Pentalogy: How the Supreme Court of Canada Shook the Foundations of Canadian Copyright Law, an effort by many of Canada’s leading copyright scholars to begin the process of examining the long-term implications of the copyright pentalogy. As I’ve noted in previous posts, the book is available for purchase and is also available as a free download under a Creative Commons licence. The book can be downloaded in its entirety or each of the 14 chapters can be downloaded individually.
First, the complexity of copyright collective management is a recurring theme in debates over whether the Copyright Board of Canada, the Copyright Act and industry practice result in multiple payments for use of the same works. Jeremy de Beer describes this as “copyright royalty stacking” in his important chapter that unpacks “the layering of multiple payments for permission – through a certified tariff, collective blanket license or individual contract-to use copyright – protected subject matter.”
Canadian Library Association on Access Copyright Lawsuit
The Canadian Library Association issued a statement late last week on the Access Copyright lawsuit filed against York University, urging it to abandon the lawsuit and pointing to several legal concerns.
Competition Bureau To Investigate Google Canada
The National Post reports that the Competition Bureau of Canada plans to launch an investigation into Google Canada. The scope of the investigation is unknown.
Next on the Canadian Copyright Reform Agenda: Clean Up the Mess at the Copyright Board
With the latest phase of Canadian copyright reform now complete, the government may soon turn to the question of what comes next. Given last year’s major legislative overhaul and the landmark series of copyright decisions from the Supreme Court of Canada, significant substantive changes are unlikely to be on the agenda for the foreseeable future.
Instead, my weekly technology law column (Toronto Star version, homepage version) argues that it is time for the government to set its sights on the Copyright Board of Canada, a relatively obscure regulatory body that sets the fees to be paid for the use of copyright works. The Board is largely unknown in public circles, but it has played a pivotal role in establishing the costs associated with private copying (including a one-time iPod levy), educational copying, and the use of music by Canadian broadcasters.
The litany of complaints about the Board has mounted in recent years: the public rarely participates in its activities due to high costs, it moves painfully slowly by only issuing a handful of decisions each year, and its rules encourage copyright collectives and users to establish extreme positions that make market-driven settlements more difficult.
Moreover, over the past ten months, the Supreme Court has ruled that its approach to fair dealing was unreasonable, the Board itself admitted to palpable error in a decision that resulted in a hugely inflated tariff, and it has ignored the will of Parliament in reshaping Canadian copyright law. The Board may keep a steady stream of lawyers and economists busy, but it is time to acknowledge that it is broken.