Post Tagged with: "Cancon"

tv mosaico by Thiago Pedrosa (CC BY-NC-ND 2.0) https://flic.kr/p/4kRwu1

When the Walls Come Crumbling Down: The CRTC’s Latest TalkTV Decision

In September 2007, I wrote a column titled “Canadian Broadcasting Policy for a World of Abundance”, which focused on a report commissioned for the CRTC that recognized that conventional broadcast regulations were crumbling in the face of new technologies and the Internet. As it turns out, the Dunbar-Leblanc report was ahead of its time as the CRTC was not ready for the regulatory overhaul it recommended.

No longer.

Standing beside two giant screens proclaiming “Age of Abundance”, CRTC Chair Jean-Pierre Blais unveiled the latest round of decisions from the TalkTV hearing and left little doubt that the Commission is now ready to lead with changes that have been a long time in coming. For Canada’s broadcast regulator, it was time to admit that decades-old policies must adapt to a changing environment in which the viewer is in control (or the emperor, in Blais’ words). Those policies were largely built on creating a regulatory wall for the Canadian system with Cancon requirements, genre protection, foreign ownership rules, and simultaneous substitution. Like many walls, the rules shielded the Canadian market from competition, guaranteeing a place for Canadian content and limiting the impact of more popular U.S. programming.

March 13, 2015 — 11 comments — News

2012 Trailer Park Boys Minneapolis by James (CC BY-NC-ND 2.0) https://flic.kr/p/dDisgE

It’s Time to Be Honest: Netflix Will Not Mean the End of Canadian Television

The Globe and Mail’s Simon Houpt ran a column over the weekend titled It’s Time to be Honest: Netflix is Parasitic. The piece received some positive commentary on Twitter, with some suggesting that it provided a counter-view to the Netflix support that has prevailed publicly and politically for several weeks in Canada. Houpt uses some effective imagery (Netflix as a Wal-Mart or Costco behemoth that will lay waste to Canadian film producers in the same way that the retail giants take out “mom and pop” stores), but this post argues that he does not come close to making his case.

The Netflix backlash (also found in Globe pieces from Kate Taylor and John Doyle) can be distilled down to two key concerns. First, that Netflix only produces a limited amount of original content and merely selling access to a large library will gradually mean no new content. Second, that Netflix (unlike the conventional broadcasters) does not contribute to the creation of original Canadian programming and the erosion of that support will lead to the end of new Canadian content. This second concern lies at the heart of the calls for a mandatory contribution by Netflix (referred to by some as a Netflix tax).

October 8, 2014 — 24 comments — News

Obama in the Backseat: Rally to Save the Internet by Free Press (CC BY-SA 2.0) https://flic.kr/p/osRvjr

Ontario Government Asks the CRTC To Impose New Regulations and Fees on Internet Giants Such as Netflix and Google

This afternoon, the Ontario government appeared before the CRTC as part of its future of television hearing. The Ontario government issued a clear call for new regulation of so-called new media companies such as Netflix and Google. The government states:

In order to create a more level playing field, the ministry recommends decreasing this regulatory imbalance. The ministry believes the best way to accomplish this is to expand the regulation of new media TV, rather than by lightening the current regulation of traditional TV.

What does the expansion of regulation involve?

September 8, 2014 — 41 comments — News

Are CRIA and the MPA-Canada Now Opposed to Canadian Content Rules?

This week, the government was formally included in the Trans Pacific Partnership negotiations with the next formal round scheduled for New Zealand in early December. I’ve written extensively about the copyright implications of the TPP as leaked versions of the intellectual property chapter and demands from U.S. copyright lobby groups point to a significant re-write of Bill C-11. Areas targeted for reform in Canada include ISP liability, statutory damages, and extending the term of copyright.

An additional issue has begun to attract increasing attention as the same lobby groups seeking copyright reforms have also put dismantling Canadian content regulations on the table. The IIPA, the lead lobby group for the movie, music, and software industries, told the U.S. government:

IIPA strongly believes that the TPP market access chapters must be comprehensive in scope, strictly avoiding any sectoral carve outs that preclude the application of free trade disciplines. We note that several market access barriers cited by USTR in its 2012 National Trade Estimate report on Canada involve, for example, content quota requirements for television, radio, cable television, direct-to-home broadcast services, specialty television, and satellite radio services. It should be possible to address such barriers to trade in the TPP, and thus augment consumers’ access to diverse content, while promoting local cultural expressions.

Many concerned with Canadian culture have reacted with alarm as the U.S. government has focused on potential changes to television and radio content requirements, classification systems for movies, and online video.

October 12, 2012 — 16 comments — News

Cancon, The Opera

The National Post’s Terence Corcoran takes on the broadcaster attempt to regulate Netflix, noting regulation supporters “want the Internet controlled through new rules and new charges that would expand their existing protection racket that now funnels billions into their hands and limits the freedom of Canadians.

April 18, 2011 — 2 comments — News