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Copyright

Gov’t Commissioned Study Finds P2P Downloaders Buy More Music

A newly study commissioned by Industry Canada, which includes some of the most extensive surveying to date of the Canadian population on music purchasing habits, finds what many have long suspected (though CRIA has denied) – there is a positive correlation between peer-to-peer downloading and CD purchasing. The Impact of Music Downloads and P2P File-Sharing on the Purchase of Music: A Study For Industry Canada was conducted collaboratively by two professors from the University of London, Industry Canada, and Decima Research, who surveyed over 2,000 Canadians on their music downloading and purchasing habits. The authors believe this is the first ever empirical study to employ representative microeconomic data.

The two key findings:

When assessing the P2P downloading population, there was "a strong positive relationship between P2P file sharing and CD purchasing. That is, among Canadians actually engaged in it, P2P file sharing increases CD purchases." The study estimates that 12 additional P2P downloads per month increases music purchasing by 0.44 CDs per year.
When viewed in the aggreggate (ie. the entire Canadian population), there is no direct relationship between P2P file sharing and CD purchases in Canada. According to the study authors, "the analysis of the entire Canadian population does not uncover either a positive or negative relationship between the number of files downloaded from P2P networks and CDs purchased. That is, we find no direct evidence to suggest that the net effect of P2P file sharing on CD purchasing is either positive or negative for Canada as a whole."

Bear in mind, this is not a study with a particular desired outcome or sponsor – it is the government commissioning independent research to help it make better policy decisions. The results of that research, consistent with earlier Canadian Heritage sponsored study by Shelley Stein-Sacks that refused to blame P2P for the industry's problems, is that P2P actually increases CD sales since those that download also tend to buy more music.

November 2, 2007 — 187 comments — News

The Economic Impact of the Canadian Entertainment Software Industry

The Canadian ESA has released a commissioned study on the economic impact of the entertainment software industry in Canada. The study finds that it is a multi-billion dollar industry with revenues that exceed those for film exhibition and sound recordings. While the ESA will likely argue that this demonstrates the […]

November 2, 2007 — 1 comment — News

LibriVox Hits 1,000 Public Domain Audiobooks

LibriVox, the remarkable Montreal-based initiative that is creating audio versions of public domain books, just catalogued its 1,000th book. Launched just over two years ago, the site has 1,500 volunteers and is releasing 60 – 70 new books every month.

November 1, 2007 — 2 comments — News

Music Publisher’s Takedown Strikes The Wrong Chord

My weekly law and technology column (Toronto Star version, Tyee version, homepage version, BBC version) focuses on the recent battle over the IMSLP. In February 2006, a part-time Canadian music student established a modest, non-commercial website that used collaborative wiki tools, such as those used by Wikipedia, to create an online library of public domain musical scores. Within a matter of months, the International Music Score Library Project (IMSLP) featured over 1,000 musical scores for which the copyright had expired in Canada. Nineteen months later – without any funding, sponsorship or promotion – the site had become the largest public domain music score library on the Internet, generating a million hits per day, featuring over 15,000 scores by over 1,000 composers, and adding 2,000 new scores each month.

Eleven days ago, the IMSLP disappeared from the Internet. Universal Edition, an Austrian music publisher, retained a Toronto law firm to demand that the site block European users from accessing certain works and from adding new scores for which the copyright had not expired in Europe. The company noted that while the music scores entered the public domain in Canada fifty years after a composer’s death, Europe's copyright term is twenty years longer.

The legal demand led to many sleepless nights as the student struggled with the prospect of liability for activity that is perfectly lawful in Canada.

October 30, 2007 — 10 comments — Columns