The government’s motion to cut off Bill C-11 debate will head to a vote on Monday as it seeks to wrap up submission of amendments, voting on all amendments, the House of Commons report stage, and third reading within a week. Liberal MPs argue that Conservative filibustering at committee necessitates the motion, yet with Canadian Heritage Minister Pablo Rodriguez acknowledging that a Senate review of the bill will likely have to wait until the fall, there is no deadline and no obvious need to curtail proper review of amendments and House debate. Indeed, by rushing through the amendment review of the bill, the government undermines the credibility of the committee process and makes a full Senate review even more essential.
Post Tagged with: "c-11"
Secret Law Making, the Sequel: As Youtubers Speak Out Against Bill C-11, Government Moves to End Debate, Vote Next Week on Secret Amendments
With only eight days left in the Parliamentary schedule until the House of Commons breaks for the summer, Bill C-11, the Online Streaming Act, has entered into a strange parallel universe. In one world, the government is moving to end debate on the bill and expedite passage in the House by the end of next week. Assuming it is successful – NDP support suggests it has the votes – the government has set a deadline of Monday, June 13th for amendments, June 14th for voting on all amendments as part of a clause-by-clause review, and then a single day for the last two stages in the House of Commons (report stage and third reading). Put it all together and it wants the bill passed by the House by the end of next week.
The limit on the clause-by-clause review to a single day means that the Heritage committee will likely reprise its approach from Bill C-10 of voting on amendments that the public has never seen, that are not read in committee, and are not subject to any discussion or debate. These secret amendments – they will only be revealed to the public after the entire process is complete and the new, updated bill is made public at the report stage – is particularly egregious.
The Bill C-11 Effect: “Any Video on TikTok That Uses Music Could be Subject to Regulation”
TikTok did not appear before the Standing Committee on Canadian Heritage as part of its Bill C-11 study, but one of the world’s most popular user generated content sites issued a warning that even Canadian Heritage Minister Pablo Rodriguez can’t ignore: if the bill becomes law, “any video on TikTok that uses music could be subject to regulation under the Broadcasting Act.” TikTok’s analysis picks up where Rodriguez left off at committee as he sought to downplay the effect of the bill on user content and dangerously equated some of the concerns with misinformation. Yet despite the persistent denials, TikTok’s submission to the committee leaves little doubt that any Canadian who uses the service to create a video with music backing will find their content caught by the bill.
Why Heritage Minister Pablo Rodriguez’s Bill C-11 Content Regulation Denials Ring Hollow
Canadian Heritage Minister Pablo Rodriguez appeared before the Standing Committee on Canadian Heritage yesterday, using the opportunity to defend Bill C-11 with assurances that concerns about the inclusion of user content within the bill were “unfounded.” As this post unpacks, the denials of content regulation ring hollow as his defence falls apart on close examination of the bill. Numerous witnesses, including digital creators, Internet platforms, and industry associations, have all expressed concerns about the issue. Rather than respond to them, Rodriguez and the government implausibly deny that the issue exists at all.
Nettwerk Music Group Sounds Alarm Bells on Bill C-11: “It Will Hurt Canadian Artists and Music Companies”
Nettwerk Music Group has long been recognized as one of Canada’s leading independent music companies. Led by Terry McBride, the company has featured label and management clients that include Coldplay, Sarah McLachlan, Dido, and Barenaked Ladies. The company has a reputation for embracing innovation: it was one of the first to drop digital rights management technologies from MP3 music sales and focused on fan preferences in the marketing and distribution of music. Given its role and reputation, when it engages in public policy, government should pay attention.
Yesterday, Nettwerk released a statement on Bill C-11 that is exceptionally critical of the legislative proposal: