Google, which did not appear before the Standing Committee on Canadian Heritage as part of its study on Bill C-10 (neither did TikTok, Facebook or other big tech companies with the exception of Netflix), has spoken out over concerns with Bill C-10. The post warns of the “possible unintended consequences that could negatively and unnecessarily impact” both creators and Canadian Youtube users. The company is particularly concerned with the discoverability requirements that have been expanded to include user generated content:
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The Broadcasting Act Blunder, Day 15: Mandated Confidential Data Disclosures May Keep Companies Out of Canada
The Broadcasting Act blunder series has highlighted Bill C-10’s many regulatory requirements for Internet services including registration, regulations, CRTC-imposed conditions, discoverability requirements, and (in an upcoming post) mandated payments. There is another requirement that may raise the ire of some foreign services and force them to consider blocking the Canadian market. The bill establishes significant confidential data disclosure requirements as a condition that may be imposed on Internet services both big and small around the world.
The Law Bytes Podcast, Season One in Review: The Telecom and Broadcast Policy Episodes
Telecom and broadcast policy figured prominently in season one of the Law Bytes podcast. With Canada currently studying potential reforms and cultural issues emerging as a possible electoral issue, there are no shortage of issues worth of discussion. Given its role as a telecom and broadcast regulator, the CRTC was the subject of several episodes: Monica Auer of FRPC talked about her extensive access to information work on the CRTC, while former CRTC Commissioner Peter Menzies joined the podcast to help sort through Cancon funding, Internet regulation, and the role of the Commission.
The LawBytes Podcast, Episode 19: Canada’s Quiet Success Story – Irene Berkowitz on the Canadian YouTube Creative Sector
Canadian Heritage Minister Pablo Rodriguez recently appeared to pre-empt the government’s broadcast and telecommunications legislative review panel in his response to the panel’s interim report. Rodriguez indicated that the government will move to mandate new contributions and Cancon requirements for online services regardless of what the panel recommends. New creators leveraging online platforms don’t typically participate in government consultations, but that doesn’t mean their voice and experience should be ignored. Ryerson’s Irene Berkowitz recently released Watchtime Canada, a report on the role YouTube plays in fostering opportunities for creators. The study found an eco-system that provides thousands of Canadians with full-time employment opportunities and export strategies that outshine the traditional creative sector. She joins me on the podcast this week to discuss the report and what it might mean for Canadian cultural policy.
Music Canada at the Copyright Review: “Illegal Content is Drifting Away”
Music Canada was one of several witnesses that appeared before the Standing Committee on Industry, Science and Technology this week as part of the copyright review. The group continued its campaign on the so-called value gap, largely ignoring huge increases in streaming revenues with claims about legislative reforms that bear little resemblance to the Canadian experience. While those arguments will be old news to the committee members, it was the discussion of piracy and government handouts that merit attention.
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Heads They Win, Tails We Lose: What Lies Behind the U.S. Trade Battle For Control over Data 
Still Not a Privacy Law: Bill C-25’s Political Party Privacy Provisions Fall Short Again 
Could Bill C-22 Make Canadians Less Safe? The Systemic Vulnerability Gap in Canada’s New Surveillance Law 
Why the Verdict on Social Media Defective Design Harming Children Gets the Instinct Right But the Law Wrong 
Scoping in the Tech Giants: Bill C-22’s International Production Order and the Shift to a Less Privacy-Protective Cross-Border Disclosure System
