Appeared in the Toronto Star on May 2, 2015 as Behind the Recording Industry’s Latest Campaign Last week’s column on the government’s surprise budget announcement that it plans to extend the term of copyright protection for sound recordings generated considerable private feedback, with several industry sources suggesting that the change […]
Articles by: Michael Geist
Study Reports Big Drop in Spam Following Canadian Anti-Spam Law Implementation
The launch of Canada’s anti-spam law generated considerable criticism suggesting that the law was unenforceable and would not have a discernible impact on spam. Recent enforcement actions by the CRTC and the Competition Bureau, which led to millions on fines, demonstrates that the law can be used to target businesses that run afoul of the law. Now a new study from Cloudmark, a network security firm, concludes that there was a significant drop in spam originating from Canada once the law took effect. Moreover, Canadians received considerably less email after CASL was implemented. Cloudmark states:
Canadian Government on Copyright Notice Flood: “It’s Not a Notice-and-Settlement Regime”
The flood of copyright notices in Canada continues to attract attention and generate concern among many Canadians. I’ve posted several pieces on the issue, including a recent post on what recipients should consider if they receive a notice. I still receive daily emails from notice recipients, with some admitting that they quickly paid the settlement in a panic and now fear that they may have opened the door to even more settlement demands. In response to this copyright abuse, I was pleased to participate in an open letter signed by many groups calling on the government to fix the loopholes in the notice-and-notice system by prohibiting the inclusion of settlement demands within the copyright notices.
A recent Metro article suggests that the government is well aware that the system is being misused. Industry Minister James Moore’s press secretary Jake Enwright emphasizes that “there is no obligation for Canadians to pay these settlements” and that the current system is “not a notice-and-settlement regime.” Those are encouraging words that come as close as the government can to tell consumers that it does not believe that settlements should be included in the notices and to hint that it does not expect Canadians to pay.
The Power of Backroom Lobbying: How the Recording Industry Got Their Copyright Term Extension
The government’s unexpected budget decision to extend the term of copyright for sound recordings came as a surprise to most copyright watchers, but not the music industry lobby. Music Canada (formerly the Canadian Recording Industry Association) was ready within minutes with a press release, backgrounder, and quotes from musicians that were previously critical of Prime Minister Stephen Harper. How did the industry seemingly know this was coming?
The monthly lobbyist communications reports tell the story as beginning last fall, Music Canada registered lobbyist David Dyer met almost monthly with Patrick Rogers, the Director of Policy for Canadian Heritage Minister Shelly Glover. The meetings began in November at roughly the same time as Universal Music began expressing concern about the Canadian distribution of public domain Beatles records. The lobbyist registry lists meetings on November 10, November 26, December 5, February 17, and March 18. In addition, there was a meeting with James Maunder, Chief of Staff to Industry Minister James Moore on November 28th, though it is clear that Canadian Heritage had the lead on the issue.
Competition Killer: Why the Copyright Term Extension For Sound Recordings Will Limit Consumer Choice and Increase Costs
As the negative coverage of the government’s surprise decision to extend the term of copyright for sound recordings and performances mounts (Billboard, National Post), it is worth remembering that it is Canadian consumers that will bear the costs with decreased choice and increased prices. I touch on this in my weekly technology law column (Toronto Star version, homepage version), but a more detailed discussion is warranted (see here, here, and here for previous posts on the proposed extension).
The question of competition and consumer costs was addressed in several leading European reports on intellectual property and term extension. The University of Cambridge’s Centre for Intellectual Property and Information Law reviewed the economic evidence related to term extension for sound recordings, stating:
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