Canadian artist Bryan Adams captured headlines earlier this year when he appeared before the Standing Committee on Canadian Heritage and urged reform to the reversion provision that seeks to remedy the bargaining imbalance between creators and music labels/publishers by reverting the rights many years later. Adams noted that creators never experience the benefit of reversion since it applies decades after their death. Instead, he proposed a 25 year reversion rule, which he argued was plenty of time for copyright to be exploited by an assignee.
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Copyright and Culture: My Submission to the Canadian Heritage Committee Study on Remuneration Models for Artists and Creative Industries
The Canadian Heritage committee study on remuneration models for artists and creative industries, which was launched to support the Industry committee’s copyright review, wrapped up earlier this month. I appeared before the committee in late November, where I focused on recent allegations regarding educational copying practices, reconciled the increased spending on licensing with claims of reduced revenues, and concluded by providing the committee with some recommendations for action. My formal submission to the committee has yet to be posted (the committee has been slow in posting submissions), but it expanded on that presentation by focusing first on the state of piracy in Canada, followed by an examination of three sectors: (i) educational copying; (ii) the music industry and the value gap; and (iii) film and television production in Canada. The full submission can be found here.
Misleading on Fair Dealing, Part 7: My Appearance Before the Standing Committee on Canadian Heritage
I appeared yesterday before the Standing Committee on Canadian Heritage via videoconference as part of its study on remuneration models for artists and the creative industry. The Heritage study is designed to provide additional context and information for the Industry committee’s copyright review. My opening statement is posted below. It focused on recent allegations regarding educational copying practices, reconciled the increased spending on licensing with claims of reduced revenues, and concluded by providing the committee with some recommendations for action. An audio version of the opening statement is posted here and embedded below.
One-Sided Story: Lobbyist Data Shows Music, Movie and Publisher Groups Account For 80 Per cent of Registered Copyright Meetings in Canada Since 2015 Election
Canadian Heritage Minister Pablo Rodriguez travelled to Toronto last week, providing an opportunity for the newly-named minister to meet with cultural groups. With many of the biggest rights holder groups tweeting out the meet and greet (CMPA, Writers Guild, Access Copyright, ACTRA, ACP), the visit sent a signal that the new minister is readily available to hear creator community concerns. While Rodriguez should obviously take the time to meet with all stakeholders, an extensive review of lobbying records related to copyright since the 2015 election reveals that 80 per cent of registered copyright meetings for government officials, including policy makers, political staffers, Ministers and Parliamentary Secretaries, have been with rights holder groups. The behind-the-scenes imbalance runs counter to oft-heard claims regarding the influence of companies such as Google and suggests a diminished voice for education, innovative companies, and users on copyright policy.
Off the Rails: How the Canadian Heritage Copyright Hearings Have Veered Badly Off-Track
The Standing Committee on Canadian Heritage has conducted several weeks of hearings as part of its study on Remuneration Models for Artists and Creative Industries. While the copyright review is the responsibility of the Standing Committee on Industry, Science and Technology, the heritage committee was asked to conduct a study to help inform its work. The mandate was described in the following motion:
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