With only 24 days left in the copyright consultation, several Canadian music associations and groups are urging their members to become more active in the consultation. The Canadian Private Copying Collective, which administers the private copying levy, is using a recently launched SaveTheLevy.ca site to urge rights holders to submit […]
Post Tagged with: "socan"
CRTC New Media Hearings – Day Two: Quebec Creator Unions, CIRPA, SOCAN, CEP, CaleyWray Labour/Employ
Day Two at the CRTC’s new media hearings saw an escalation of demands with groups seeking broad regulations, Internet-based Canadian content requirements, and even reform to the Copyright Act. The following review was compiled by University of Ottawa student Frances Munn (Globe and Mail live blog of the hearing is here; Day One coverage here).
Broadcasters Win Right To Reduce Ad Production Costs From Royalty Payments
Bloomberg reports that Canadian radio stations have won a federal court decision that will allow them to exclude production costs of radio commercials from the amount on which royalties must be paid. SOCAN fears that the decision could result in the loss of millions of dollars in payments.
Canadian Podcasting Royalty Down But Not Out
In the annals of Canadian copyright royalty fights, few can match Tariff 22 for pure stamina and longevity. First introduced in 1995 by SOCAN, thirteen years later the proposal is still the source of much disagreement. Indeed, years after the Supreme Court of Canada dismissed an attempt to implement a tariff on Internet service providers for the music transmitted over their networks, the Copyright Board of Canada issued a new decision on Friday that addressed the prospect of establishing a royalty on hundreds of thousands of websites ranging from social network giants such as Facebook to thousands of Canadian podcasters.
My weekly technology law column (Toronto Star version, homepage version) notes that while Friday's decision is not limited to social networks and podcasters – the decision established royalty rates for, among others, Internet-based radio stations that are deemed to be high users of music (5.3 percent of revenues), electronic games sites (0.8 percent of revenues), and non-commercial radio station webcasts (1.9 percent) – it is the "other sites" category that encompasses everyone from MySpace to a solitary website featuring a small amount of music that will rightly attract the most attention.
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