Music industry lobby groups may frequently seek to equate the Internet with lost revenues, but an examination of financial data from one of Canada’s largest music copyright collectives demonstrates massive growth in earnings arising from Internet streaming including major services such as Youtube and Apple Music. While many collectives do not publicly disclose their revenues, SOCAN, which represents composers, songwriters, and music publishers, provides a detailed breakdown of revenues and distributions in its annual report.
Archive for November 21st, 2017
Recent Posts
Making the Case Against Its Own Bill: What the Government’s Bill C-34 Charter Statement Reveals About the Constitutional Vulnerability of the Social Media Ban 
“Position Has Not Changed”: The Canadian Government Reaffirms That Antisemitism Includes Anti-Zionism 
The Law Bytes Podcast, Episode 279: My Keynote on Digital Sovereignty: Control, Choice, and Connection 
The What, Me Worry? Consultation: Media Quietly Tells Government It Wants Even More Funding With Little Concern for Independence Risks 
Years of Uncertainty: Bill C-22’s Missing Regulations and Secret Ministerial Orders
