For much of the past two decades, copyright groups have steadfastly sought to deny what the Supreme Court of Canada has repeatedly endorsed, namely that the purpose of Canadian copyright law is to serve the public interest by balancing users’ and authors’ rights. Last week provided the latest episode in the ongoing series as the Court delivered yet another strong affirmation on the importance of copyright balance and the role of technological neutrality, confirming that “[c]opyright law does not exist solely for the benefit of authors.” The decision – SOCAN v. Entertainment Software Association – can read on at least four levels: (1) as a repudiation of SOCAN’s effort to establish a new, additional royalty for the “making available” of music; (2) as a confirmation of the importance of technological neutrality and copyright balance; (3) as an example of the flexibility associated with implementing the WIPO Internet treaties, and (4) as the undeniable entrenchment of Canadian copyright jurisprudence that now features deeply layered precedents on users’ rights.
Archive for July 20th, 2022

Law Bytes
Episode 273: Rebroadcast of the Globe and Mail’s The Decibel on Canada’s First Steps Towards a Social Media Ban
byMichael Geist

June 22, 2026
Michael Geist
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Michael Geist
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Michael Geist on Substack
Recent Posts
Improv Policy: The Government Doesn’t Know What To Do About Its Online Streaming Act Mess
Soft Ban or Hard Verification Requirement?: Why Bill C-34’s Social Media Ban Exemption Gets the Incentives Wrong and Comes Too Late to Matter
New Rights, New Powers, Long Delays: Bill C-36’s Seven-Step Process for Privacy Reform to Take Effect
The Law Bytes Podcast, Episode 273: Rebroadcast of the Globe and Mail’s The Decibel on Canada’s First Steps Towards a Social Media Ban
Midnight Madness: The Government Rushes Lawful Access Bill Through the House Without Debate or a Recorded Vote

