Post Tagged with: "user rights"

Smartphone with ChatGPT app by Jernej Furman from Slovenia, CC BY 2.0 , via Wikimedia Commons

From CCH to ChatGPT: How Canadian Copyright Law Played the Key Role in Deciding a Leading AI Training Data Case in India

The Delhi High Court has released what may be one of the most consequential copyright decisions yet on artificial intelligence, ruling in ANI Media Pvt. Ltd. v. OpenAI that OpenAI’s use of copyrighted news articles to train the models behind ChatGPT is prima facie fair dealing. The 135-page decision of Justice Amit Bansal, released last week, dismissed an Indian news agency’s application for an interim injunction, and while it is expressly not a final ruling on the merits, it features valuable analysis of the copyright implications of machine research, market harm and the public interest. The case is particularly notable from a Canadian perspective since it is the 2004 landmark CCH Supreme Court of Canada copyright case that provides the decision’s fair dealing foundation.

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July 30, 2026 2 comments News
Video in Honour of Prof. David Vaver’s Induction to the Order of Canada and Royal Society of Canada by Osgoode Hall Law School, https://www.youtube.com/watch?v=GmqVHrBdZ_Y

The Law Bytes Podcast, Episode 100: David Vaver With a Masterclass on Copyright and User Rights

The role of the public and the public interest has factored prominently into many of the Law Bytes podcast conversations. For the 100th episode, Osgoode Hall Law School Professor David Vaver, widely viewed as Canada’s leading IP expert, joins the podcast. The recipient of the Order of Canada, Professor Vaver provided the scholarly grounding for the emergence of user rights in copyright in Canada and around the world. In this episode, he gives a masterclass on the history of copyright, the emergence of user rights, Supreme Court copyright jurisprudence, and potential future copyright reforms.

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September 13, 2021 12 comments Podcasts
All Rights Reserved* by Paul Gallo (CC BY 2.0) https://flic.kr/p/6zMVmm

Quebec Writers Group Calls for an End to Copyright Exceptions: “Only Where Access is Otherwise Impossible”

The Standing Committee on Industry, Science and Technology continues its year-long review of copyright this week with a mix of witnesses from education, libraries, writers, and publishers.  The Union des écrivaines et des écrivains québécois (UNEQ), which represents Quebec-based writers, appeared yesterday and submitted a brief to the committee with its key recommendations. There are several that will attract attention, including increased damages and an expansion of the private copying levy to cover e-readers, hard drives, and USB keys (a recommendation that may stem from a misunderstanding of the levy which is only for music). However, the most troubling is how the group takes aim at copyright user’s rights.

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April 25, 2018 5 comments News

How the Supreme Court of Canada Doubled Down on Users’ Rights in Copyright

I’ve posted several pieces on the recent Supreme Court of Canada copyright decisions, including an immediate overview, a piece on why Canada has shifted to fair use, an analysis of the inclusion of a technological neutrality principle, a discussion on the implication for Access Copyright, and a high level look at the key issues. This final post in the series tries to provide a broader context for what just occurred as the decisions mark the culmination of a ten year transformation of copyright at Canada’s highest court. Over the years, many have expressed doubts about this transformation, yet these five cases should put to rest the debate over whether a balanced analysis of the Copyright Act that prioritizes both creator and user rights has been entrenched in Canadian copyright law.

The shift began in 2002 with the Theberge decision, in which Justice Binnie for the majority discussed the copyright balance:

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July 23, 2012 6 comments News

McKennitt Op-Ed: “Pirates are Killing Musicians, Composers, Lyricists, Even Popcorn Vendors”

Loreena McKennitt published an op-ed supporting copyright reform in the Winnipeg Free Press over the weekend that focuses on the harm of infringement and the need for C-32.  The piece raises at least a couple of issues.  First, there is the claim that "even popcorn sellers are struggling to stay alive" in light the current state of Canadian copyright law. This claim arises from some declining interest in big music tours, which is taken as evidence that performances are not a viable alternative for many musicians.  What copyright reform has to do with concert venues, performers or popcorn sellers is anyone's guess – promoters of struggling music tours say it has everything to do with a tough economy, competition for the entertainment dollar, and high ticket prices rather than music downloads or IP enforcement. Copyright reform won't change the financial dynamics of the touring industry, which will presumably still leave those same popcorn vendors struggling to stay alive.

If the McKennitt piece was limited to the popcorn claim, it would merely join previous attempts to link copyright with the success of the corn industry (see Rick Cotton of NBC Universal).  However, McKennitt also challenges the very notion of user rights in copyright, calling them "so-called user rights" which she says is used by activists and academics as "crafted language."

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July 6, 2010 99 comments News