The Economist is conducting a weeklong debate on copyright with the question for discussion "This house believes that existing copyight laws do more harm than good."
The Economist Debates Copyright
May 6, 2009
Share this post
2 Comments

Law Bytes
Episode 228: Kumanan Wilson on Why Canadian Health Data Requires Stronger Privacy Protection in the Trump Era
byMichael Geist

March 10, 2025
Michael Geist
February 10, 2025
Michael Geist
February 3, 2025
Michael Geist
January 27, 2025
Michael Geist
Search Results placeholder
Recent Posts
Queen’s University Trustees Reject Divestment Efforts Emphasizing the Importance of Institutional Neutrality
The Law Bytes Podcast, Episode 228: Kumanan Wilson on Why Canadian Health Data Requires Stronger Privacy Protection in the Trump Era
When Words Fail: Reflections on the National Forum on Combatting Antisemitism
The National Antisemitism Forum: Why Failing to Act Now Must Not Be An Option
Canadian Health Data Requires Stronger Safeguards With Lost Canada-U.S. Trust
The proposer lost
The statement was not defended. Professor Fisher provided arguments on why certain copyright reforms (shorter terms, reduced inclusiveness, etc) would be beneficial. Those arguments are sound. But to say ‘less restrictive copyright would be better than what we have now’ is very different from saying ‘abolished copyright would be better than what we have now’. Since he argued the first point and didn’t even make an attempt at the second, he can’t be taken to have won this.
The current copyright system stifles innovation. Professor Fisher in point 8 points out that copyright can provide an emotional bond between the work and the artist. I have no idea what he’s basing this on. Most artists don’t own the copyrights on their works, it’s the publishers and distributors that take the majority of that bond out of the artists hands on contract. I know of no artist that feels an emotional bond that copyright is supposed put on their works according to Professor Fisher. More or less the scense many artists are feeling, are ripped off by publishers when they think of copyright. It would be different if more artists killed the middle man, and went on their own completely…only then could I see an emotional bond forming, and that’s not where the artistic community is right now, nor will it be in the future.