The Canadian music industry has engaged in extensive lobbying efforts on copyright invariably pointing to concerns regarding revenues from digital music services. But the International Confederation of Societies of Authors and Composers (CISAC), which brings together 239 collective management organizations in 122 countries and five regions, recently released a global report that told a much different story, calling Canada a digital champion given the share of royalty revenues coming from digital services. CISAC represents over four million creators active in five major repertoires: audiovisual, dramatic, literature, music and visual arts. Its report identifies five digital champions within its top 20 global markets. Canada sits third in terms of both digital share and five year growth.
Archive for November 13th, 2019

Law Bytes
Episode 278: Ben Waldman on Gander Social and the Challenges of Building a Sovereign Social Network
byMichael Geist

August 10, 2026
Michael Geist
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Michael Geist on Substack
Recent Posts
Ontario is Done Waiting for Universities to Act on Campus Antisemitism
Is Compromise on Encryption Possible? Why Bill C-22’s “Minor Opening” Leaves the Central Question Unanswered
The Wrong Target: Why the CBC Should Be Asking About the Yom Kippur Protesters, Not the Journalist Who Reported on Them
Buried in Bill C-39: The Enabling Digital Trade Act Brings Canada Its First Federal Electronic Trade Documents Law
A Definition That Meets the Moment: Federal Government Recognizes Antisemitism Includes Anti-Zionism

