The Canadian music industry has engaged in extensive lobbying efforts on copyright invariably pointing to concerns regarding revenues from digital music services. But the International Confederation of Societies of Authors and Composers (CISAC), which brings together 239 collective management organizations in 122 countries and five regions, recently released a global report that told a much different story, calling Canada a digital champion given the share of royalty revenues coming from digital services. CISAC represents over four million creators active in five major repertoires: audiovisual, dramatic, literature, music and visual arts. Its report identifies five digital champions within its top 20 global markets. Canada sits third in terms of both digital share and five year growth.
Archive for November 13th, 2019

Law Bytes
Episode 277: Kate Robertson on the Risks That Lie Behind Canada's Unexpected Signing of the UN Cybercrime Convention
byMichael Geist

June 22, 2026
Michael Geist
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Michael Geist on Substack
Recent Posts
From CCH to ChatGPT: How Canadian Copyright Law Played the Key Role in Deciding a Leading AI Training Data Case in India
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The Name on the Window Was Enough: The Attacks on Kiva’s and the Normalization of Antisemitic Violence in Canada
The Law Bytes Podcast, Episode 277: Kate Robertson on the Risks That Lie Behind Canada’s Unexpected Signing of the UN Cybercrime Convention
A Surveillance Treaty in Disguise: The Trouble With Canada’s Quiet Decision to Sign the UN Cybercrime Convention

