The Canadian music industry has engaged in extensive lobbying efforts on copyright invariably pointing to concerns regarding revenues from digital music services. But the International Confederation of Societies of Authors and Composers (CISAC), which brings together 239 collective management organizations in 122 countries and five regions, recently released a global report that told a much different story, calling Canada a digital champion given the share of royalty revenues coming from digital services. CISAC represents over four million creators active in five major repertoires: audiovisual, dramatic, literature, music and visual arts. Its report identifies five digital champions within its top 20 global markets. Canada sits third in terms of both digital share and five year growth.
Archive for November 13th, 2019
Recent Posts
Regulator First, Rules Later: Bill C-34 Debate Shows the Government Wants a Digital Safety Commission Before It Figures Out What It Will Do 
Making the Case Against Its Own Bill: What the Government’s Bill C-34 Charter Statement Reveals About the Constitutional Vulnerability of the Social Media Ban 
“Position Has Not Changed”: The Canadian Government Reaffirms That Antisemitism Includes Anti-Zionism 
The Law Bytes Podcast, Episode 279: My Keynote on Digital Sovereignty: Control, Choice, and Connection 
The What, Me Worry? Consultation: Media Quietly Tells Government It Wants Even More Funding With Little Concern for Independence Risks
