Cultural policy in Canada can be contentious, but there is one issue – support for Canadian content or Cancon – that unsurprisingly enjoys near unanimous backing. Given the economic benefits, federal and provincial policies encourage both domestic and foreign film and television production in Canada, but there is a special place for certified Canadian content, which is typically defended on the basis of the need to support cultural sovereignty by promoting “Canadian stories.”
Archive for March 10th, 2020
Recent Posts
The Data on Australia’s Social Media Ban: The Better the Privacy Protection, The Less Effective the Ban 
Shaky Ground Gets Shakier: What the U.S. Supreme Court’s Location Data Decision Means for Bill C-22 
The Two Weeks That Reshaped Canada’s Digital Policy 
The Law Bytes Podcast, Episode 274: Mark Musselman on What Stakeholders Really Think About the Government’s Reversal of the CRTC Online Streaming Act Decision 
Improv Policy: The Government Doesn’t Know What To Do About Its Online Streaming Act Mess
