Post Tagged with: "c-11"

Canadian Library Association on C-11

The Canadian Library Association has released a new position paper on Bill C-11. The CLA directs much of its concern to the digital lock rules: The prohibitions on the circumvention of digital locks in Bill C‐11 exceed Canada’s obligations under WIPO copyright treaties. Canada agreed to distinctive wording and flexibilities […]

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December 21, 2011 4 comments News

The Daily Digital Lock Dissenter, Day 52: Ontario Council of University Libraries

With Parliament set to break for the holidays later today, the daily digital lock dissenter will break as well.  I’ll resume the series once Parliament returns in late January.

The Ontario Council of University Libraries (OCUL) represents the 21 public university libraries in Ontario, serving a community of about 400,000 full time students and professors. OCUL provided a submission to the 2009 national copyright consultation that stated the following about digital locks:

Digital locks can prevent users from interacting with copyright materials in ways that are perfectly legal in themselves. Copyright law must not make it illegal to circumvent a digital lock in order to use a copyrighted item for purposes that do not infringe copyright. To satisfy WIPO treaty obligations, it is sufficient that copyright law afford protection to digital locks only to penalize the breaking of digital locks for infringing purposes.

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December 15, 2011 4 comments News

The False Link Between C-11’s Digital Lock Rules and Video Game Industry Jobs

Debate resumed on Monday on the copyright bill with the opposition parties citing correspondence from Canadian after Canadian concerned with the digital lock rules found in Bill C-11. Thousands of Canadians have called on the government to adopt compromise legislation that provides legal protection for digital locks but ensures that the copyright balance is retained by linking circumvention to copyright infringement. As I have chronicled in more than 50 daily digital lock postings, this view is shared by business groups, consumer organizations, cultural groups (including the leading performers and publisher associations), education and library representatives, as well as Canada’s leading consumer organization. There is no serious debate about where the overwhelming majority of Canadians that have spoken out on the bill stand.

The task of defending the bill has lately fallen to Paul Calandra, the Parliamentary Secretary for Canadian Heritage. As I posted last month, Calandra has focused on the claim that there is no jurisdiction “where digital locks have been used and the actual availability of content has been reduced.” The argument is a complete red herring as no one has argued C-11 will reduce the availability of content but rather that it will eliminate many of the rights consumers obtain when they purchase that content. 

Calandra has now also turned to the video game industry as a major source of support. Given the fact that writers, performers, publishers, musicians, documentary film makers, and artists have all called for greater balance on digital locks, the government has been left with fewer and fewer creative industries that support its position. On Monday, Calandra repeatedly referenced the video game industry and the prospect of lost jobs as a reason to support restrictive digital lock rules. For example:

I wonder if the member and her party opposite are talking about putting an end to the video gaming industry in this country with weak TPM measures.

Later, Calandara asked an MP:

Could he explain to the House how, in the absence of effective technical protection measures, that industry could continue to flourish in the province of Quebec?

Calandra regularly referenced the 14,000 jobs in the industry and suggested that they would be put at risk with “weak” TPM measures. Given the focus, it is important to examine the evidence that supports claims that jobs are at risk.

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December 14, 2011 20 comments News

The Daily Digital Lock Dissenter, Day 51: Canadian Music Creators Coalition

When speaking on Bill C-11 in the House of Commons on Monday, NDP MP Andrew Cash, a musician, noted that several years ago he traveled to Ottawa to talk copyright together with other musicians such as Brendan Canning from the Broken Social Scene and Steven Page from the Barenaked Ladies. The musicians were part of the Canadian Music Creators Coalition, which brought together some of Canada’s best known musicians. In their submission to the 2009 national copyright consultation, they said the following about digital locks:

We believe anti-circumvention measures encourage and support the use of digital locks and litigation against music fans. Thus, we oppose the inclusion of such measures in legislative reform. Copyright laws must accommodate the interests of Canadian music creators. We support our fans’ legitimate interests in having a say in how they enjoy our music, and policy decisions should take this into account. Policies that fail to accommodate such interests should be rejected.

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December 14, 2011 1 comment News

The Daily Digital Lock Dissenter, Day 50: ACTRA

ACTRA, the Alliance of Canadian Cinema, Television and Radio Artists, is the union of more than 22,000 professional performers working in English-language recorded media in Canada including TV, film, radio and digital media. I have disagreed in the past with several its positions on copyright reform, including one member calling mashups morally wrong and a six-part fix that would remove fair dealing reform. ACTRA’s 2009 national copyright consultation submission supported the use of digital locks, but also recognized the need for limits on the legal protections associated with them including the need to ensure that exceptions and limitations are not lost:

The choice of whether or not to use a TPM in connection with controlling access to a copyright protected work or which restricts copyright protected acts rests with rightsholders. Some will choose to use them, others will not. In accordance with the WIPO Treaties, rightsholders should have recourse against persons who deliberately circumvent their TPMs. By the same token, users who have legal access to a work should not be prevented by TPMs from availing themselves of statutory exceptions or limitations. Moreover, legal protection for TPMs should be subject to privacy, interoperability, and encryption research considerations, for example.

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December 13, 2011 1 comment News