Appeared in the Toronto Star on June 24, 2012 as What’s Behind Canada’s Entry to the Trans-Pacific Partnership Talks? Last week, U.S. President Barack Obama formally extended an invitation to Canada to join the Trans Pacific Partnership negotiations, a proposed trade deal that includes the U.S., Australia, Brunei, Chile, Malaysia, […]

Fair Dealing by Giulia Forsythe (CC BY-NC-SA 2.0) https://flic.kr/p/dRkXwP
Copyright
Bill C-11 Scheduled For Third Reading at the Senate Today
Bill C-11 is scheduled for third reading at the Senate today, paving the way for the bill’s passage and royal assent tomorrow. I posted my thoughts on the public’s impact on the substance of the bill earlier this month.
Maritime Band Facing False Takedown Notices From Universal Music
The CBC reports that the Maritime band In-Flight Safety has faced multiple false YouTube takedowns by major record label Universal Music. The band has no connection to Universal Music Group, yet the label has ordered the takedown of five of the band’s songs.
Brian Brett Speaks Out: An Open Letter on Access Copyright and the Canadian Copyright Emergency
1. After its expenses (which are high – spending approximately $10 million to collect $23.5 million in distributable income), there is $23.5 million in money for copyright distribution. Over $6 million dollars go to foreign copyright organizations. Very little, if anything, is paid back for usage of Canadian copyright material by these organizations.
2. Access Copyright only acquires this $23.5 million by claiming to represent creators and publishers, and that paying them means supporting creators. Access Copyright then pays more than $13 million to publishers. It only pays $4.2 million to actual creators. Their remaining income, is supposed to be distributed by the publishers to their authors, according to how the publishers read their contracts. There is no evidence of this payment occurring since Access Copyright refuses to allow an independent auditing of this income. Effectively, this money has been ‘disappeared.’
3. Access Copyright refuses to distribute, through its “Payback” program, to creators, income from works older than twenty years, yet it continues to collect that income in their name.
The Missing Copyright Docs, Pt 2: Competition Bureau Warned About Digital Lock Competition Concerns
Yesterday I posted on the government’s internal analysis on the constitutional risks associated with digital lock rules found in Bill C-11 including the constitutional warnings issued by the Department of Justice. The same document obtained under the Access to Information Act also notes that the Competition Bureau raised concerns about […]