Peter Shawn Taylor with a lengthy piece in the National Post on copyright.
National Post Op-Ed On Copyright
June 6, 2008
Tags: copyright / National Post / peter shawn taylorCopyright Microsite - Mainstream Media CoverageCopyright Canada
Share this post
2 Comments

Law Bytes
Episode 278: Ben Waldman on Gander Social and the Challenges of Building a Sovereign Social Network
byMichael Geist

August 10, 2026
Michael Geist
Search Results placeholder
Michael Geist on Substack
Recent Posts
Online Harms’ Forgotten Generation: Why the Government Needs to Pay Attention to Protecting Seniors
Culture Off the Table? What the Collapsed Canada-U.S. Trade Talks Reveal About the Carney Government’s Cultural Policy
Digital Trade Alignment: What May Be in Play in the Canada-U.S. Trade Deal
TMU Picks Damage Control Over Fixing the Damage: Behind Its Shameful Response to the Devastating Benotto Report on Campus Antisemitism
Thanks For Joining the Movement: French Constitutional Council Strikes Down Kids’ Social Media Ban

Bad Article
It’s a bad article. Interesting from the historical perspective, but bad in that it characterizes you, Michael, as a copyright “free for all” whacko. We know that this is not the case. I’d love to see you write a strongly worded response to that article, which does not mention the issues of DRM at all.
Good Comments
Truly one of the best comments posted on that link:
The historical examples of artists losing profit via unlicensed copying is subtly different from the current state of affairs. These are examples of distributors in other jurisdictions profiting from the work of an artist w/o their permission. In each of the examples, the jurisdiction is attempting to bolster a newly minted industry at the expense of an established industry.
The current digital copyright issue is a case of existing (licensed) distributors worried losing their profit margin. There’s no proof that downloading has actually damaged this profit margin. In fact, changes in distribution (i.e. Walmart’s cheaper prices) may be the primary source of losses in the music industry.
In any case, those who download a work w/o license do not map directly into these historical examples. First, they typically use the unlicensed work for personal use rather than selling it (as a distributor might). Second, there’s no indication that they would have actually purchased the work had they not gained access to an unlicensed copy.