The Economist explores the benefits of piracy.
The Economist on Piracy
July 18, 2008
Share this post
2 Comments

Law Bytes
Episode 277: Kate Robertson on the Risks That Lie Behind Canada's Unexpected Signing of the UN Cybercrime Convention
byMichael Geist

June 22, 2026
Michael Geist
Search Results placeholder
Michael Geist on Substack
Recent Posts
Why the Answers to Hateful Content Online are Hiding in the Platforms’ Own Rules
From CCH to ChatGPT: How Canadian Copyright Law Played the Key Role in Deciding a Leading AI Training Data Case in India
Starting Over: Court Filing Confirms the CRTC’s Streamer Contribution Decisions Are Dead With a Full Online Streaming Act Reset to Come
The Name on the Window Was Enough: The Attacks on Kiva’s and the Normalization of Antisemitic Violence in Canada
The Law Bytes Podcast, Episode 277: Kate Robertson on the Risks That Lie Behind Canada’s Unexpected Signing of the UN Cybercrime Convention

point is, the benefit is to the copyright owner in some of these cases, not the person doing the pirating
Yes, the copyright owner in fact can see a benefit through piracy. The statement about Microsoft is not surprising. If taken through the long view, some, but not all, piracy becomes free advertising.
In the case of music, the artist can be exposed to many more potential fans than would normally be the case. Certainly they lose a little potential money, the publisher much more, on that downloaded song. I say potential because there is no guarantee that it would have been bought. However, if the person likes the artist’s work, they are more likely to buy the original album and subsequent work than if they hadn’t been able to sample it (I have done this myself). Here the independent artists, and the not-so-mainstream artists are the winners, artists who don’t have the marketing budget that groups such as Sony EMI have for Kanye, Jayzee, etc.