The Logic is a Toronto-based news startup that focuses on the innovation economy. Launched in 2018, it has attracted some great reporters with a subscription-based business model that starts at $299 per year. I’ve been a subscriber for several years, dating back to when it began providing extensive coverage of the Waterfront Toronto – Sidewalk smart city project and I was serving as chair of the Waterfront Toronto Digital Strategy Advisory Board. The site, which tends to produce one or two new articles per day, uses a hard paywall as nearly all articles – other than an occasional Letter from the Editor – can only be accessed by paying subscribers.
Not an Outlier: What the Government’s Online Harms Secrecy Debacle Says About Its Internet Regulation Plans
My post on the hundreds of submissions to the government’s online harms consultation has garnered significant attention, including a front page news story from the Globe and Mail (I was also pleased to appear on Evan Solomon’s show and the Dean Blundell podcast). The coverage has rightly focused on previously secret submissions such as those from Twitter likening the Canadian plan to China or North Korea and the National Council of Canadian Muslims, who warn that the legislation would have risked constituting “one of the most significant assaults on marginalized and racialized communities in years.” If you haven’t read it, please read my post summarizing some of the key findings or access the entire package that was obtained under the Access to Information Act.
The Rest of the Online Harms Consultation Story: Canadian Heritage Forced to Release Hundreds of Public Submissions Under Access to Information Law
For months, the results of the government’s online harms consultation was shrouded in secrecy as the Canadian Heritage refused to disclose the hundreds of submissions it received. I launched a page that featured publicly available submissions (links reposted below), including 25 submissions from organizations and companies as well as six individual expert submissions. I later followed up with two posts that provided further details on the publicly available submissions (here and here). Earlier this year, Canadian Heritage Minister Pablo Rodriguez released a “what we heard” report that again blocked making the actual submissions public, but provided a summary that left little doubt that the government’s plans were widely criticized and required a policy reset.
In the meantime, I filed an Access to Information Act request to compel disclosure by law of the consultation submissions. It took many months, but this week the department released the results. While some submissions may be excluded – third parties can object on certain grounds – I have obtained hundreds of additional submissions in a 1,162 page file. These can be obtained directly from Canadian Heritage by launching an informal access request at no cost with the department. The file to request is A-2021-00174 (or click here for the full file for the moment).
The Harm from Budget 2022’s Hidden Copyright Term Extension, Part Three: “It Does Not Put Money in the Pockets of Most Creators”
The inclusion of copyright term extension in Budget 2022 – a commitment to implement was buried in an annex to the budget – will cause enormous harm to access to Canadian culture and history for a generation. My previous posts in the series examined the incredible array of authors and political figures that helped shape Canada for decades who will have their works locked out of the public domain. The response from supporters of the policy is typically to ignore the economic evidence and reality that copyright already protects works for 50 years *after* the death of the creator, by relying on claims that term extension will benefit creators.
Yet consider the comments of Bryan Adams, one of Canada’s best known artists. In a 2018 submission to the Standing Committee on Canadian Heritage, Adams foresaw the likelihood of term extension and issued a warning: