Post Tagged with: "cmpa"

Exhibit 1-1, Profile 2022, CMPA https://cmpa.ca/wp-content/uploads/2023/05/Profile-2022-EN_v2.pdf

About Those Bill C-11 Claims About the Risk to Cancon Without Urgent Action…

The debate over Bill C-11 was frequently marked by politician and lobby group claims that failure to act would place the future of Canadian film and television production at risk. While internal government documents admitted that claims regarding the contributions from Internet streaming services understated the actual contributions by failing to account for “unofficial Cancon”, Canadian Heritage Minister Pablo Rodriguez was happy to feed the narrative that the bill was a critical support for an industry in jeopardy.

Profile 2022, the well-regarded annual report on the state of industry funding was released yesterday. It conclusively demonstrates that the claims on the state of Cancon production are wildly exaggerated. Indeed, the data speaks for itself: record production, record Cancon production, record French-language production. Over the past decade – as streaming services has grown in popularity, Canadian film and television production has more than doubled. The following three charts and graphics taken from the Profile 2022 report tell the story. There is no Cancon emergency and no risk to film and TV production in Canada. The Bill C-11 panic over the viability of the sector was little more than a fraudulent lobbyist-inspired talking point with little basis in reality.

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May 4, 2023 6 comments News
I can't Afford a Lobbyist, Occupy Irvine, CC BY 2.0 , via Wikimedia Commons

Lobby Harder: Canadian Heritage Minister Pablo Rodriguez Issues Industry Call to Action to Support Bill C-11

Canadian Heritage Minister Pablo Rodriguez appeared at the CMPA’s Prime Time conference last week, calling on the film, TV and broadcast sectors to become even more vocal in defending his Bill C-11. The bill, which has been the top lobbying priority of the sector for years, opens the door to regulating user generated content and asserts jurisdiction over all audio-visual services worldwide. There are several elements worth noting in the question-and-answer session with Rodriguez, not the least of which is the insistence on inaccurately claiming the new bill addresses concerns with regulating user generated content. When asked about the issue, Rodriguez responded:

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February 15, 2022 4 comments News
Nordicity, International Benchmarking Study of the Canadian Television Production Sector, March 2019, Figure 1

Broadcast Panel Commissioned Report Found Canada Ranks First Among Peer Countries in Spending on TV Production, Domestic TV Production, and Employment Per Capita

The Broadcast and Telecommunications Legislative Review Panel report calls for a massive overhaul of Canadian communications law – leading to increased consumer costs, violations of net neutrality, news regulation, CRTC intervention into discoverability, and USMCA violations – due in large measure to concerns about support for the creation of Canadian content. While the data confirms fears about the Canadian film and television sector have been overblown with record setting production in Canada, the panel insists that measures are needed to preserve Canadian jobs.

Yet what the panel did not disclose – in either its report or subsequent comments – are the results of benchmarking research on the Canadian television production sector it commissioned from Nordicity. That report was made available yesterday to those who asked (all the commissioned research can be requested from panel secretariat) and it reveals that Canada ranks first among peer countries with respect to expenditures on television production per capita, expenditures on domestic television production (ie. Cancon or equivalent domestic production) per capita, hours of television production per capita, and employment in film and television production per per capita. In other words, the panel had data that Canada spends more on television production, produces more hours of television programs, and employs more people per capita in the film and television sector than peer countries yet said nothing about the findings in its report.

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February 14, 2020 3 comments News
DSC00115 by Vancouver Economic Commission (CC BY 2.0) https://flic.kr/p/Jcb16h

A Netflix Crisis?: Foreign Funding Now By Far the Largest Source of Financing for Canadian Fictional English Language TV Production

The Canadian Media Producers Association has just released the latest data on film and television production in Canada which confirms that foreign sources are now by far the biggest contributor to Canadian English language television production. Despite warnings of cultural imperialism and repeated calls from some in the industry for Netflix taxes to fund production, the data suggests that it already does since foreign investment in Cancon now larger than the primary Canadian sources. In fact, when it comes to Canadian English-language fictional programming, foreign financing is now larger than private broadcaster licence fees, public broadcaster licence fees, and Canada Media Fund contributions combined.

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March 28, 2019 5 comments News
Netflix - Generic Photo - Creative Commons by Matthew Keys (CC BY-ND 2.0) https://flic.kr/p/vsTUgA

The Case Against the Bell Coalition’s Website Blocking Plan, Part 3: Piracy Having Little Impact on Thriving Digital Services and TV Production

The case against the Bell coalition’s website blocking plan continues with an examination of the state of new digital business models and Canadian content production (earlier posts looked at Canadian copyright law and weak evidence on Canadian piracy). Given the high threshold needed to gain CRTC support for website blocking (which requires exceptional circumstances), the coalition proposal must not only make the case that there is a significant Canadian piracy problem, but also that piracy is having an enormous impact on the business and creative sectors.

The proposal tries to meet that standard by claiming that Canadian piracy “makes it difficult if not impossible to build the successful business models that will meet the evolving demands of Canadians, support Canadian content production, and contribute to the Canadian economy.” Yet as with the actual data on Canadian piracy, which firmly rebuts claims that Canada is a piracy haven, the Canadian data on the digital economy and Canadian creative sector show a thriving industry.

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February 14, 2018 10 comments News